391 - Jackson Browne - The Pretender
Jul. 1st, 2011 09:48 amI gotta be honest, I probably should have done my reviews for CCR and Jackson Browne on Tuesday. However, I've enjoyed listening to the albums so much that I procrastinated writing the reviews and moving on.
There is something about Jackson Browne's voice that disarms and soothes me. Yes, when I pay attention to the lyrics, I get the seriousness and sadness present in many of the songs on the album. But my ears are in love with the tone of his voice and keep arguing with my brain that Jackson is actually serenading me.
While I enjoy the songs on The Pretender a great deal more than For Everyman, I frequently found the production of the tracks distracting. From what I've read, this was Jackson's first album with a bona fide producer. Alas, I kept thinking that the producer approached the recording of this album with the philosophy of "what all can I add to these songs to justify my being here." There are many songs where piano and strings seem thrown in and don't really contribute to strengthening the song. The producer seems to be trying to make the songs sound more epic. I think I'd enjoy the album more with a couple of instruments pulled out of each song. The instrumentation for the Latin "Linda Paloma" grates on me so much.
Songs I knew I liked: "The Pretender"
Songs I didn't know but now like: "The Fuse," "Your Bright Baby Blues," "The Only Child," "Daddy's Tune," and "Sleep's Dark and Silent Gate" (I love the line "But the times when we were happy/ Were the times we never tried")
Songs I can go the rest of my life without hearing again: If I decide to get this album, I can guarantee I will either not download "Linda Paloma" or will habitually skip it on vinyl/CD.